Mastering Vocal Mixing in Live Broadcasts
Live vocal mixing is an art grounded in experience and thoughtful decision-making. In this week's video, I walk through the vocal mixing process for Zeal Church's song "So Good", focusing on the live performance dynamics with vocalist Jordan. Mixing live isn’t about perfection — it’s about making the right decisions in real time and knowing which tools serve the moment.
Understanding the Vocal Landscape
Live environments present unique challenges. Without the safety net of multiple takes, the objective is to control dynamics and maintain clarity while preserving the integrity of the performance. Transparency is the priority — enhancing what’s already there rather than reshaping it.
Setting the Foundation with EQ
My process starts with cleanup. A high-pass filter removes unnecessary low-end buildup, followed by subtle tone shaping to maintain balance and articulation. I often reach for the SSL channel strip here — not to reinvent the vocal, but to gently guide it into place. The goal is enhancement, not correction.
Embracing Dynamic Range with Compression
Once EQ is dialed in, compression becomes the focus. I typically use serial compression: a fast compressor like the Distressor to control peaks, followed by a smoother option such as the LA-2A to maintain consistency. This approach keeps the vocal forward without sounding constrained.
Addressing High-End Issues
Compression naturally raises sibilance, so a de-esser is essential. I prefer placing it after compression to control harsh consonants introduced by gain reduction. The key is restraint — enough control to smooth the vocal without dulling articulation.
Adding Depth with Dynamic EQ
Dynamic EQ becomes invaluable in live contexts where vocal tone shifts throughout a performance. Using tools like the FabFilter Pro-Q3, I target problem frequencies only when they appear, protecting warmth while maintaining clarity.
Harnessing Multi-Band Compression
Multi-band compression helps manage tonal consistency across registers. I approach it surgically, focusing only on problem areas and allowing the rest of the vocal to breathe. Used carefully, it reinforces stability without calling attention to itself.
Final Touches: Balance and Refinement
Occasionally, I’ll introduce a light bus compressor to glue everything together. These decisions aren’t fixed — they’re informed by real-time listening and the needs of the performance. Every adjustment serves the mix as a whole.
Perspective and Application
Live broadcast vocal mixing is a discipline built on awareness and intention. When you prioritize the vocalist and make informed, musical decisions, the mix supports the message rather than competing with it.
For a deeper breakdown, watch the full video above. In the next installment, we’ll explore vocal effects and how to use them tastefully in a live broadcast context.
As always, feel free to reach out with questions or topics you’d like covered in future episodes.