Live broadcast saturation isn’t about heavy coloration — it’s about subtle, intentional enhancement. In this post, I break down how I use saturation on drums, bass, keys, guitars, vocals, and the mix bus to add depth without sacrificing clarity.
Read MoreMastering Vocal Mixing in Live Broadcasts /
Live vocal mixing in a broadcast environment requires clarity, restraint, and informed decision-making. In this post, I break down my real-world vocal mixing approach for church broadcasts using Pro Tools—covering EQ, compression, de-essing, and dynamic control strategies that preserve performance while maintaining consistency in a live mix.
Read MoreMastering Compression in Church Broadcast Mixes /
Compression is one of the most misunderstood tools in church broadcast mixing. In this post, I break down how attack and release, parallel compression, and mix bus strategy can help you create clearer, more musical live stream mixes without killing dynamics.
Read MoreMaking Confident Mix Decisions Under Pressure /
When time is limited, decisions matter more than perfection. This post breaks down how sprint mixing sharpens instincts, prioritizes essentials, and leads to confident mixes under pressure.
Read MoreMastering EQ for Church Broadcast Mixes /
A practical look at EQ strategies for church broadcast mixes—covering subtractive EQ, gating, and efficient workflows that create clarity and consistency in live environments.
Read MoreGain Staging & Mix Clarity: Mastering Decisions in Every Fader /
Gain staging sets the foundation for every mix. In this post, I break down practical techniques for fader control, plugin workflow, and panning—helping you make confident decisions that keep your mixes clear and balanced.
Read More10 Minutes Isn't Enough: The Art of Sprint Mixing /
The Art of Sprint Mixing: Tackling a Mix in 10 Minutes
Sprint mixing has become one of my favorite ways to stay sharp. It’s fast, demanding, and forces you to make decisions with confidence instead of hesitation.
In this week’s video, I mix a live recording from Zeal Church in just 10 minutes. That’s obviously not enough time for a “perfect” mix — and that’s the point. The constraint removes overthinking and puts the focus where it belongs: priorities, balance, and momentum.
The Reality of Live Broadcast Mixing
Live broadcast mixing is a different discipline than studio work. In the studio, you have the luxury of refinement — automation, detailed dynamics, incremental improvements. In a live context, you’re working in real time, responding to what’s happening, and committing to decisions quickly.
That shift in mindset is essential. You’re not chasing perfection; you’re shaping a moment.
Managing Dynamics Under Pressure
In this sprint, dynamics were the primary challenge. Drums and bass needed to be controlled quickly without flattening the mix. One technique I rely on in these situations is dual compression — using two compressors in series to handle peaks more musically than a single aggressive setting.
Under normal circumstances, I prefer compression after EQ. But when time is limited, flexibility matters more than rules. The ability to adapt your signal flow on the fly is a critical live-mixing skill.
Practical Takeaways for Fast-Paced Mixing
- Use layered control, not brute force
Two lighter compressors often outperform one heavy-handed one. - Prioritize impact over detail
You won’t catch everything — focus on what actually moves the mix forward. - Commit and keep moving
Momentum matters. Second-guessing costs more than imperfect decisions.
Live mixing isn’t about surgical precision. It’s about clarity, energy, and emotional continuity.
Progress Beats Perfection
At the end of this sprint, the mix wasn’t flawless — but it was effective. It communicated the intent of the performance, held together dynamically, and served the moment.
That’s the real goal.
Sprint mixing is a discipline that reinforces trust in your instincts and highlights where your workflow can improve. Each pass reveals something new, and each constraint sharpens your decision-making.
The finish doesn’t need to be pristine — it needs to be intentional.
Navigating Creative Chaos: Building a Church Broadcast Template /
Discover how to set up a Pro Tools broadcast template while embracing the beauty of imperfection.
Read MoreNavigating Drum Mix Clarity: Yamaha vs Behringer /
I compared Behringer S16 and Yamaha Rio converters on live drums and the difference was shocking. See A/B test results and hear why converters matter more than expensive mics.
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